π κ°μλν #24 β μ¬λ°±μ λ―Έ_The Beauty of Space
λμνμ νΉμ§μ€μ 'μ¬λ°±μ λ―Έ'λΌλ λ§μ΄ μμ΅λλ€. κ·Έλ¦Όμμ μ±μμ§μ§ μμ 곡κ°μ μλ¦λ€μμ μλ―Ένλ λ§μ λλ€. μ¬λ°±μ΄ μ£Όλ λ©μΈμ§λ κ·Έλ¦Όκ³Ό μμ΄ μ±μμ§ λΆλΆλ μλ―Έμ κ°λμ μ£Όμ§λ§, μ±μμ§μ§ μμ λΉκ³΅κ°λ λ λ€λ₯Έ μλ―Έμ κ°λμ μ€λ€λ μλ―Έκ° λ΄κ²¨μ Έ μμ΅λλ€.
μ± μ μ½μ λμλ 'νκ°μ μ½μ΄μΌ νλ€'λ λ§λ κ°μ μλ―Έμ λλ€. κΈ μ€κ³Ό μ€ μ¬μ΄μ κΈλ‘ μ°μ¬μ Έ μμ§ μμ μ¨μ μλ―Έ, κΈ, λ¬Έμ₯, λ¨λ½μ μλ―Έλ₯Ό νμ ν΄μΌνλ€λ μλ―Έμ λλ€. λμ 보μ΄λ κ²λ€μ μλ―Έλ₯Ό λμ΄μμ 보μ΄μ§ μλ μκ°μ λ§μμ μ’ λ κΉμ΄ μ΄ν΄ν΄μΌ νλ€λ μλ―Έμ λλ€.
μ±κ²½μμλ νλλμ μ§μ λ§μνμ€ λλ μμμ§λ§ λ§μνμμ§ μμΌμλ©° 침묡νμ€ λμλ μμμ΅λλ€. κ·Έλμ λ΅λ΅νμ¬ νλλκ» μ 침묡νμλκ³ λΆλ₯΄μ§λ μ₯λ©΄λ λμ΅λλ€. λ€μλ, νλ°κ΅λ, μ₯λ νλλμ 침묡μ λνμ¬ λΆλ₯΄μ§μ΅λλ€.
μ¬νΈμμ¬ μ΄λ λκΉμ§λμ΄κΉ λλ₯Ό μμν μμΌμλμ΄κΉ μ£Όμ μΌκ΅΄μ λμκ²μ μ΄λ λκΉμ§ μ¨κΈ°μκ² λμ΄κΉ (μνΈ 13:1)
μ¬νΈμμ¬ λ΄κ° λΆλ₯΄μ§μ΄λ μ£Όκ»μ λ£μ§ μλνμλ μ΄λ λκΉμ§λ¦¬μ΄κΉ λ΄κ° κ°ν¬λ‘ λ§λ―Έμμ μΈμ³λ μ£Όκ»μ ꡬμνμ§ μλνμλμ΄λ€ (νλ°κ΅ 1:2)
λ΄κ° μ£Όκ» λΆλ₯΄μ§μΌλ μ£Όκ»μ λλ΅νμ§ μλνμμ€λ©° λ΄κ° μ°μ¬μ€λ μ£Όκ»μ λλ₯Ό λμλ³΄μ§ μλνμλμ΄λ€ (μ₯κΈ° 30:20)
νμ§λ§ λλ‘λ νλλμ λ§μμ΄ νμν λκ° μκ³ , νλλμ μΉ¨λ¬΅μ΄ νμν λλ μμ΅λλ€. μ€νλ € κ·Έ 침묡μΌλ‘ μΈνμ¬ λ κΉμ κΉ¨λ¬μμ μ»μ λλ μμ΅λλ€. κ²°κ΅, νλλμ 침묡μ λ λ€λ₯Έ κ°λ ₯ν νλλμ λ©μΈμ§κ° λ©λλ€.
μ°λ¦¬λ μ΄ λ μμ μ΄μκ°λ©΄μ 무μμΈκ°λ‘ κ°λ μ±μμΌ ν κ² κ°μ λ§μμΌλ‘ μ΄μκ° λκ° μμ΅λλ€. νμ§λ§, μ°λ¦¬μ μΆμλ μ¬λ°±μ΄ νμν©λλ€. μ΄λ€ν κ²μΌλ‘λ μ±μμ§μ§ μμ 곡κ°, μλμ μΌλ‘ λΉμλλ μ¬λ°±μ΄ νμν©λλ€. κ·Έκ³³μ κ·Έμ λΉ κ³΅κ°μ΄ μλλΌ νλλκ»μ μΌνμ€ κ³΅κ°μΌλ‘ λΉμλμ΄μΌ νλ 곡κ°μ λλ€. μ°λ¦¬ λμλ 'λΉ κ³΅κ°' νΉμ 'μ¬λ°±'μΌλ‘ 보μ΄μ§λ§, νλλμ μΌνμ¬μ κΈ°λνλ 'μμ μ¬λ°±'μ λ§λλ μ°λ¦¬μ μΆμ΄ λκΈ°λ₯Ό μλ§ν©λλ€. λν μ°λ¦¬μ μΆμ λ§λ€μ΄μ§ 'μμ μ¬λ°±'μ ν΅ν΄ μΌνμ€ νλλμ λμ± κΈ°λν¨μΌλ‘ ν κ±Έμ ν κ±Έμ κ±Έμ΄κ° μ μκΈ°λ₯Ό μλ§νλ©° κΈ°λν©λλ€.
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π Autumn Journey #24 β The Beauty of Space
In Eastern art, there is a well-known idea called βthe beauty of space.β It refers to the beauty found not only in the areas filled with color and brushstrokes, but also in the places left empty. The empty space carries its own meaning. While the painted parts speak with images and color, the unpainted space also speaksβquietly, deeply, and powerfully.
We use a similar expression when we read: βread between the lines.β The letters, words, and sentences give meaning, but the spaces in between also speak. They help us understand the writerβs thoughts, emotions, and deeper intention. What is not written can sometimes say more than what is written.
In Scripture, God sometimes spoke clearly and directly. But there were also moments when God was silent. Because of that silence, people cried out with frustration and longing. David, Habakkuk, and Job all experienced this silence and asked why God would not answer.
βHow long, LORD? Will You forget me forever? How long will You hide Your face from me?β (Psalm 13:1)
βHow long, LORD, must I call for help, but You do not listen? I cry out to You, βViolence!β but You do not save.β (Habakkuk 1:2)
βI cry out to You, but You do not answer; I stand up, but You only look at me.β (Job 30:20)
Yet even in silence, God was present and working. Sometimes we need Godβs words, but sometimes we need His silence. In that silence, God deepened faith, trust, and understanding. His silence became a different kind of message.
In our daily lives, we often feel pressure to fill every momentβto stay busy and productive. But our souls also need space. We need areas in our lives that are intentionally left empty. These spaces are not wasted. They are places where God can work. What looks like βempty spaceβ to us becomes spiritual space where God moves in His time and His way.
May we learn to create this spiritual space in our hearts and schedules, trusting that God will fill it with His presence and His work. And as we walk day by day, may we wait with hope, expecting God to speakβeven through silence.
Walking together through the autumn of 2025, Rev. Gil Lee
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